Paintings

The white square on a white ground seemed to me to be like a challenge: Please, do it! Everything is possible. A very inviting gesture for following generations, which liberated art from the competition of skills.

Upgrade, 120 x 120 cm, 2016

Business As Usual, 100 x 160 cm, 2015

Transit, 130 x 195, 2015

Circulation, 160 x 210 cm, 2016

Treffpunkt, 100 x 160 cm, 2016

Power Point, 100 x 230 cm, 2016

Machtkomplex, 110 x 120 cm, 2015

Mein drittes Auge, 110 x 120 cm, 2015

Machtkomplex, 100 x 160 cm, 2015

Umbruch, 100 x 160 cm, 2016

Promenade, 80 x 100 cm, 2014

Umbruch, 100 x 160 cm, 2016

Seilschaft, 110 x 120 cm, 2014

Bus Stop, 120 x 110 cm, 2008

Brennweite, 120 x 110 cm, 2015

Business As Usual I, 90 x 180 cm, 2010

Long Distance, 130 x 195 cm, 2012

Artist at Work V, 90 x 180 cm, 2012

SHE (She Has Enemies) III, 110 x 195 cm, 2008/13

Guidance, 90 x 180 cm, 2015

Fluchtpunkt, 35 x 35 cm, 2014

Zielgruppe, 35 x 35 cm, 2014

Power Point, 35 x 35, 2014

Business As Usual III, 200 x300 cm, 2013

Access, 100 x 120 cm, 2001/14

Artista Gringa Mix VII, 160 x 210 cm, 2005/13

Zwischenlandung, 90 x 180 cm, 2015

Paradise Lost, 130 x 195 cm, 2015

Under Cover II, 110 x 120 cm, 2013

Western Bubble IV, 100 160 cm, 2013

SHE (She Has Enemies) II, 110 x 195, 2012

Artist At Work VII, 80 x 100 cm, 2013

Handgepäck (Hand Lugagge), 100 x 80 cm, 2007

As a person who goes into the studio, I do have a theme. For the work on canvas, however, it is not the question of how to realize a theme that is important, but rather which jar of paint I open, which brush I pick up. The fundamental theme is the human being, the question of what being human means, what life has to offer outside the logic of utilization.

Dripping Point I, 100 x 120 cm, 2015

Fluchtpunkt I, 90 x 90 cm, 2014

Dripping Point II, 100 x 80 cm, 2015

Fluchtpunkt II, 70 x 70 cm, 2014

Fluchtpunkt III, 70 x 70 cm, 2014

Pausing, 35 x 35, 2014

Katzenjammer, 70 x 70 cm, 2014

Fluchtpunkt, VII, 70 x 70 cm, 2016

Fluchtpunkt VI, 90 x 120 cm, 2014

Monokultur II, 70 x 70 cm, 2013

Waterside, 110 x 120 cm, 2016

Höllengebirge I, 180 x 300 cm, 2016

Fluchtpunkt IV, 90 x 90 cm, 2016

Fluchtpunkt VII, 90 x 90 cm, 2016

Höllengebirge II, 70 x 90 cm, 2015

Höllengebirge III, 70 x 90 cm, 2016

Monokultur, 80 x 100 cm, 2015

Fluchtpunkt VIII, 55 x 55 cm, 2016

Höllengebirge IV, 100 x 160 cm, 2016

Donauschwimmen, 160 x 210 cm, 2009

Eisheilige VI, 90 x 120 cm, 2013

Ohne Mehrwert, 120 x 110 cm (2 panels), 2004

Fluchtpunkt, 90 x 100 cm, 2016

Emerging II, 50 x 50 cm, 2014

Somewhere, 50 x 50 cm, 2012

Tauchgang I, 50 x 50 cm, 2010

Emerging I, 50 x 50 cm, 2014

Tauchgang II, 50 x 50 cm, 2010

Rough Sea, 120 x 120 cm, 2014

Eisheilige V, 100 x 90 cm, 2013

Long Distance, 90 x 180 cm, 2014

Long Distance I, 35 x 35 cm, 2008

Dive, 35 x 50 cm, 2009

Atlantikschwimmen I, 30 x 50 cm, 2004

Match Point, 180 x 122 cm (2 panels), 2015

Fluchtpunkt, 100 x 120 cm (3 panels), 2016

The main exercise is probably letting go of notions and reacting to the circumstances that are specified by the purposeless brush stroke, largely abandoning control. Something happens in that moment that is not induced by effort or calculation.

My Daily Soap, 100 x 150 cm, 2009

Biopolitischer Widerstand X, 100 x 160 cm, 2015

Cigarette Break II, 2014

Oma kocht Huhn I, 120 x 110 cm, 2009

Oma kocht Huhn II, 120 x 110 cm, 2009

Ich will nicht zur Arbeit gehen, weil ich es vorziehe zu schlafen V, 120 x 110 cm, 2012

Selbstversorger I, 120 x 120 cm, 2012

Selbstversorger II, 120 x120 cm, 2012

Biopolitischer Widerstand Vi, 120 x 120 cm, 2009

Domestic Care, 160 x 210 cm, 2012

Domestic Danger II, 180 x 90 cm, 20012

Autonomie II, 200 x 200 cm, 2004

Too Lazy to Exhibit II, 100 x 80 cm, 2008

Mein drittes Auge I, 100 x 80 cm, 2008

Western Bubble VII, 80 x 120 cm, 2011

Cigarette Break III, 80 x 120 cm, 2014

Biopolitischer Widerstand I, 200 x 150 cm, 2005

Parking Lot, 50 x 50 cm, 2013

Hold the Line III, 50 x 50 cm, 2014

Hold the Line II, 50 x 50 2013

Autonomie I/3, 50 x 50 cm, 2003

Autonomie I/7, 50 x 50 cm, 2003

Autonomie I/6, 50 x 50 cm, 2003

Cigarette Break I, 100 x 105 cm ( 2 panels), 2014

Artista Gringa Mix I, 110 x 120 cm, 2005

Ciclet, 120 x 120 cm, 2007

Biopolitischer Widerstand V, 35 x 35 cm, 2006

Biopolitischer Widerstand ViII, 35 x 35 cm, 2006

Biopolitischer Widerstand iX, 35 x 35 cm, 2006

Standortfaktor, 200 x 200 cm, 2008

SHE (She Has Enemies)I, 110 x 195 cm, 2008

There are rare moments of luck, and a picture is made in an afternoon; I work on other paintings for years. The definitive conclusion is when a picture is sold. As long as a picture is still in the studio, there is always the possibility of continuing to paint it.